Rock/Pop
CDアルバム

Frank Black & The Catholics

0.0

販売価格

¥
1,990
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2003年10月06日
国内/輸入 輸入
レーベルCooking Vinyl
構成数 1
パッケージ仕様 -
規格品番 COOKCD265
SKU 711297466522

構成数 : 1枚
合計収録時間 : 00:41:19

  1. 1.[CDアルバム]
    1. 1.
      All My Ghosts

      アーティスト: Frank Black And The Catholics

    2. 2.
      Back to Rome

      アーティスト: Frank Black And The Catholics

    3. 3.
      Do You Feel Bad About It?

      アーティスト: Frank Black And The Catholics

    4. 4.
      Dog Gone

      アーティスト: Frank Black And The Catholics

    5. 5.
      I Gotta Move

      アーティスト: Frank Black And The Catholics

    6. 6.
      I Need Peace

      アーティスト: Frank Black And The Catholics

    7. 7.
      King & Queen of Siam

      アーティスト: Frank Black And The Catholics

    8. 8.
      Six-Sixty-Six

      アーティスト: Frank Black And The Catholics

    9. 9.
      Solid Gold

      アーティスト: Frank Black And The Catholics

    10. 10.
      Steak 'N' Sabre

      アーティスト: Frank Black And The Catholics

    11. 11.
      Suffering

      アーティスト: Frank Black And The Catholics

    12. 12.
      Man Who Was Too Loud, The

      アーティスト: Frank Black And The Catholics

作品の情報

メイン
アーティスト: Frank Black And The Catholics

商品の紹介

Never trust an artist's opinion on his own recordings. Frank Black calls Frank Black and the Catholics the "best recording [he] ever made," ignoring a decade worth of great, innovative indie rock. A better assessment may be: Frank Black and the Catholics is the most direct record he's ever made. If you just want garage punk, stripped of all the odd time signatures, subverted chord progressions, cryptic lyrics, and sonic experimentation that marked his first two albums, as well as his work with the Pixies, this album may satisfy your needs. Then again, all those "frills" were part of the reason Black was such a respected and influential artist, and without them he sounds disturbingly conventional. Fortunately, The Catholics doesn't trade in the sub-metal clichés that plagued The Cult of Ray, concentrating on straight-ahead garage punk. There are some good hooks on the songs and the performances have some real energy, but all the songs wind up blending into each other by the end of the record. On the whole, it's a step forward from The Cult of Ray, but it still feels like a retreat from his entire body of work. ~ Stephen Thomas Erlewine|
Rovi

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