Sand And The Stars, The

Q - 3 stars out of 5 - "Happily, THE SAND AND THE STARS finds singers Kate Wright and Rachel Coe and various male accomplices in relatively robust form." Uncut - 4 stars out of 5 - "[W]istful chamber-pop with jazz and folk influences that drift in and out like sea frets..."

The Sand and the Stars, the fourth full-length release by Bristol's Movietone, is literally a musical journey, taking the players from the beach to the city and finally ending up "on a coast path, illuminated by a lighthouse." Movietone continue with their intensely delicate music, but this time around the shimmering music seems to be more intimate, more organic, and closer to the listener in sonic space than the atmospherics of Day & Night and Blossom Filled Streets -- elements that may be due to the locations of recording. The production by Matt Jones is a bit more aggressive than Movietone's other works, but still captures that heart-wrenching quality of Movietone through the instrumentation and wonderful vocal work. Melancholy like all of their records, Kate Wright's wonderful vocals haunt against the acoustic instruments playing off one another. A communal, dark campfire vibe shines through on "Pale Tracks," where Sam Jones, Matt Jones, Kate Wright, and Rachel Coe all have vocal duties and sing with the swirling nature of the music. "We Rode On" and "Snow Is Falling" are Movietone at their best, using various instruments like clarinet, cello, banjo, bass saxophone, trumpet, double bass, drums, and guitar set against wave samples in the background, creating a chilling environment. "Near Marconi's Hut" rounds out the record, leaving the listener with a sadness that The Sand and the Stars is over and a longing for more from Movietone. The Sand and the Stars is another wonderful release from Movietone, keeping you in the imagery of a movie you saw a long time ago or a dream that you cannot shake from your memory. ~ David Serra|