Soul/Club/Rap
CDアルバム

Big Fun

0.0

販売価格

¥
1,790
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2003年09月25日
国内/輸入 輸入
レーベルPias
構成数 1
パッケージ仕様 -
規格品番 9400025021
SKU 5413356452525

構成数 : 1枚
合計収録時間 : 00:40:16
Inner City: Kevin "Master Reese" Saunderson, Paris Grey. Additional personnel: R. Holmon (keyboards). Engineers include: KMS, Chris Andrews, Ben Grosse. Recorded at Powerhouse Studio, Detroit, Michigan.

  1. 1.[CDアルバム]
    1. 1.
      Big Fun (radio edit)

      アーティスト: Inner City

    2. 2.
      Big Fun (Filippo Naughty Moscatello respect mix)

      アーティスト: Inner City

    3. 3.
      Big Fun (Phil Kieran remix)

      アーティスト: Inner City

    4. 4.
      Big Fun (Agoria remix)

      アーティスト: Inner City

    5. 5.
      Big Fun (Kenny Hawkes remake)

      アーティスト: Inner City

    6. 6.
      Big Fun (Classic Magic Juan mix remake)

      アーティスト: Inner City

    7. 7.
      Big Fun (Filippo's Berlin dub)

      アーティスト: Inner City

    8. 8.
      Big Fun (Pershay remix)

      アーティスト: Inner City

作品の情報

メイン
アーティスト: Inner City

商品の紹介

In the 1980s and '90s, a lot of dance music spotlighted female singers with thin, weak voices who seem on the verge of death. But house music has often been a home to expressive, big-voiced divas who can truly wail -- a fine example being Paris Gray of the duo Inner City. Along with producer/composer Kevin Saunderson, Gray was responsible for some of the most rewarding dance music of the late '80s and early '90s. Inner City's debut album, Big Fun (titled Paradise in the U.K.), is full of house gems that enjoyed extensive dance club exposure, including "Good Life," "Do You Love What You Feel," "Ain't Nobody Better," and the title song. While Saunderson's production is decidedly high-tech, Gray's warm, passionate singing is mindful of dance music's heritage and underscores its soul and gospel roots in a delightful way. Unfortunately, Inner City never crossed over to the R&B or pop markets as Virgin Records hoped -- an irony considering that Big Fun is so much more individualistic and soulful than most of the generic efforts that dominated black radio in 1989. ~ Alex Henderson|
Rovi

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