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Universal Masters Collection

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1,890
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257pt

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フォーマット CDアルバム
発売日 2003年10月31日
国内/輸入 輸入
レーベルSpectrum
構成数 1
パッケージ仕様 -
規格品番 9811212
SKU 602498112120

構成数 : 1枚
合計収録時間 : 01:13:00
Universal Masters Collection, released in Europe, is much like the 20th Century Masters set released in the U.S. It's dominated by the Compass Point sessions assisted by Sly & Robbie (also featuring the keyboard wizardry of the great Wally Badarou) and cuts off before 1985's Slave to the Rhythm. So most of the essential singles are here, including "Pull Up to the Bumper," "Warm Leatherette," "Love Is the Drug," "Nipple to the Bottle," and "I've Seen That Face Before (Libertango)." Though the Compass Point material makes for the bulk of her most creative and best-known material, her first three albums released during the tail end of the '70s (with production work from disco pioneer Tom Moulton) could use a little more attention. ~ Andy Kellman

  1. 1.[CDアルバム]
    1. 1.
      Private Life
    2. 2.
      Inspiration
    3. 3.
      Warm Leatherette
    4. 4.
      Pull Up to the Bumper
    5. 5.
      Love Is the Drug
    6. 6.
      Nightclubbing
    7. 7.
      Nipple to the Bottle
    8. 8.
      Breakdown
    9. 9.
      Demolition Man
    10. 10.
      La Vie en Rose
    11. 11.
      My Jamaican Guy
    12. 12.
      Walking in the Rain
    13. 13.
      I've Seen That Face Before (Libertango)

作品の情報

メイン
アーティスト： Grace Jones

商品の紹介

Universal Masters Collection, released in Europe, is much like the 20th Century Masters set released in the U.S. It's dominated by the Compass Point sessions assisted by Sly & Robbie (also featuring the keyboard wizardry of the great Wally Badarou) and cuts off before 1985's Slave to the Rhythm. So most of the essential singles are here, including "Pull Up to the Bumper," "Warm Leatherette," "Love Is the Drug," "Nipple to the Bottle," and "I've Seen That Face Before (Libertango)." Though the Compass Point material makes for the bulk of her most creative and best-known material, her first three albums released during the tail end of the '70s (with production work from disco pioneer Tom Moulton) could use a little more attention. ~ Andy Kellman|
Rovi

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