Foly! -Live Around The World

It's hard to believe that Habib Koité & Bamada have only released three albums over the course of eight years together -- that's a remarkably small output for an African artist. But they've played a lot of gigs, and made themselves into one of the best units around, managing the excellent feat of sounding contemporary with (mostly) traditional instrumentation, and keeping a Malian feel throughout the music, from early polemic hit "Cigarette Abana" onward. It's a pan-Malian sound, not drawing from any single regional tradition, but perfectly at home using calabash, kamele n'goni, and balafon together. The effect is wonderful, especially as he's surrounded himself with crack musicians who love to improvise, and use each song as a springboard to simply play -- only two cuts on this double CD are under five minutes, and five stretch past the ten-minute mark without ever seeming too long. There's nothing new in the material here, but that's fine; these performances show what a craftsman Koité is as a writer. He's no slouch as a guitarist either (he taught the instrument for several years) as he shows several times during the discs. Fluid and imaginative, his very Malian style referencing a few Western ideas, but different enough to keep the ears pulled back. Everyone gets a good workout on the lengthy "Kunfeta," where the band is introduced, and abilities really come to the fore, before the quieter encore "Takamba." Recorded in various European countries during 2002, this confirms Koité as a major Afro-pop star, someone who can hold his own on-stage with anyone in the world. ~ Chris Nickson|

21世紀のアフリカ音楽を担うマリ出身の若き精鋭、アビブ・コワテの新作は2枚組のライヴ・アルバムだ。これまでのスタジオ作品も素晴らしかったが、やはり彼の場合、ライヴの迫力が格別だということを改めて確認。アビブのギターを中心に、バラフォン、カマレ・ンゴニなどによる、アコースティック寄りで伝統を重視したサウンドを披露。にも関わらず、これほどまでに現代的なグルーヴを感じさせてくれるとは。脱帽です。
bounce (C)篠原 裕治