The Headphone Masterpiece [ECD] [PA]

Cody ChesnuTT's debut album, The Headphone Masterpiece, is what all pop/rock-soul-R&B-hip-hop hybrids should be: good, raw, fun, and funky. ChesnuTT mixes '60s-style rock with '70s soul and '90s hip-hop and R&B in an eclectic celebration of sound. This lo-fi gem was recorded in his bedroom and sounds like it; it's essentially a 36-track musical diary. He sings testosterone-driven songs of passion and tender tales of mental anguish with equal abandon. When he whispers, "I know my breakdown is on the way," on "My Women, My Guitars," you feel his impending fall. He plays almost all of the instruments and sings most of the vocals, and he's often out of tune and off-key, but that only adds to the emotion and recklessness of the album. He holds everything together with a few polished and catchy tracks that are scattered throughout. On "Looks Good in Leather," he sounds like Terence Trent D'Arby or Ben Harper, but with a style that's all Cody ChesnuTT. "The World Is Coming to My Party" is a full-fledged dance anthem, complete with a rafter-shaking groove that Prince would be proud of. He just as easily channels Curtis Mayfield on the smooth "Serve This Royalty," which showcases ChesnuTT's soulful voice and may be the finest track, combining his great grasp of groove with clever lyrics like, "We can crown kings in Adidas." ChesnuTT is as comfortable in the hip-hop world as he is in the rock and soul spheres. He lays down a funky rap on "War Between the Sexes," and few hardcore gangstas can match his misogyny on "Bitch I'm Broke." While a few songs lack ChesnuTT's charm, the misses don't disturb the groove enough to hinder the overall effect: a masterpiece, with or without headphones. ~ Michael Gowan

デビュー作にしていきなり2枚組の大作を作ってきたこの男は、本国アメリカではレコード発表前から話題となっていた自作自演シンガー、いや、ギタリストだ。アトランタ出身で、ルーツの最新作に収録の“The Seed（2.0）”での客演も記憶に新しいところだが、何を隠そう、同曲のオリジナル（本作に収録）を作っていたのが、このコーディだった。というわけで、本作で展開されているのも、それこそ現在のルーツのアブストラクトな音楽性とシンクロするような楽曲が中心で、60～70年代のブルース・ロックかと勘違いしそうな瞬間もある。だが、歪んだような粗い音質のバック・トラックに刻み込まれているのは、ソウル、ヒップホップ、ゴスペル、レゲエといった黒くて臭い音のかけらで、ファルセット気味の歌声も含め、ジミヘンともレニー某とも違った奥ゆかしさと新しさを備えており、これはカッコいい。
bounce (C)林 剛