Country/Blues
CDアルバム

Muddy 'Mississippi' Waters Live

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販売価格

¥
2,290
税込
ポイント20%還元

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2007年07月30日
国内/輸入 輸入
レーベルColumbia
構成数 2
パッケージ仕様 デジパック
規格品番 5128882
SKU 5099751288824

構成数 : 2枚
合計収録時間 : 00:55:25
Personnel: Muddy Waters (vocals, guitar); Pee Wee Madison, Sam Lawhorn (guitar); Paul Oscher, James Cotton (harmonica); Pinetop Perkins (piano); Calvin Jones (bass); Willie Smith (drums). Recorded live at Mr Kelly's, Chicago, Illinois on June 11-12, 1971. Originally released on Chess (50012). Includes liner notes by Chris Morris. Digitally remastered from original Chess masters by Paul Elmore (MCA Studios, North Hollywood, California).
エディション : Remaster

  1. 1.[CDアルバム]
    1. 1.
      To Be Confirmed ...

      録音:Live

      アーティスト: Muddy Waters

  2. 2.[CDアルバム]

作品の情報

メイン
アーティスト: Muddy Waters

その他
エンジニア: Dave Still (Original)

商品の紹介

Musician - "...full of stinging slide and commanding vocals..."
Rovi

Muddy Water Live (At Mr. Kelly's) shows precisely how fortuitous Muddy Waters' history with Chess Records was. With the notable exception of Bo Diddley's Beach Party, the company tended to record its top artists in concert very late or, more often, not at all. Howlin' Wolf got one concert album so late in his career that he was merely a shadow of the legend he'd established for himself, and the label's resident blues harp virtuosi Little Walter and Sonny Boy Williamson II were never captured in concert. Waters was luckier. This album, recorded during two June 1971 gigs at one of Chicago's top clubs, was the third full-length concert release of his career; and he had a decade of life and music still in front of him and remained very much the embodiment of his own legend. The core of the band that would work with him for the rest of the '70s was already with him, and the man himself was in excellent form -- in voice and on slide guitar -- aided by Sammy Lawhorn and Pee Wee Madison. There might not be the same sense here of a career-second-wind-in-progress that there was with his later live album for Johnny Winter's Blue Sky label -- the performance is powerful and confident, more than bold and celebratory -- but on "Strange Woman," "Blow Wind Blow," and "Country Boy," for example, the effect of hearing a master of the blues virtuoso band in action is overpowering. His takes on Williamson's "Nine Below Zero," T-Bone Walker's "Stormy Monday Blues," John Lee Hooker's "Boom, Boom," and Jimmy Reed's "You Don't Have to Go," all reconfigured in Muddy's own style, are also worth hearing. There might have been more flash on the later Winter-produced sides, but this LP is not to be ignored, and not just by Chess completists -- it's a hell of a lot more essential than Electric Mud, and heralds the superb Indian summer of Waters' history at Chess, during which he recorded Can't Get No Grindin' and The Woodstock Album. ~ Bruce Eder|
Rovi

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