往年を思わせる大作からポップ・チューンまで、原点回帰への意欲を感じさせる、80年発表の12作目。中心メンバーであった2人が脱退し、新たにトレバー・ホーンとジェフ・ダウンズが加入。

タワーレコード （2009/04/08）

It was widely assumed that when vocalist/songwriter Jon Anderson left Yes at the end of the '70s, the band was doomed. Most folks forgot that bassist/composer Chris Squire was the other founding member of the band, and he had as much to do with their sound as Anderson. It was surprising enough when the band decided to continue with a new vocalist and keyboardist. It was even more surprising when the new members turned out to be Trevor Horn (later a famed pop producer) and Geoff Downes (who would soon depart with Steve Howe for Asia). And it was downright shocking when the resultant album DRAMA turned out to be a great one.
While Horn's voice is in the same general range as Anderson's, he tends to blend more with the vocals of Howe and Squire for a distinctive three-part harmony sound. Similarly, the individual instrumental statements of Howe and Downes avoid grandstanding in favour of the group dynamic. Consequently, DRAMA is one of Yes' most direct, concise offerings, full of relatively short songs that still maintain all the Yes hallmarks. Anderson diehards should leave their inhibitions at the door.|

Rovi