Silence Is Easy

Starsailor's sophomore effort, Silence Is Easy, was hotly anticipated largely upon the announcement that the melodic and earnest quartet from Chorley, England, would be working with legendary producer Phil Spector. It also didn't hurt that Starsailor's debut release, Love Is Here, was generally received upon its release as one of the best British rock albums of 2002. Built around the songwriting and lead vocals of James Walsh, the band fit nicely alongside similarly minded mellow Brits Doves and Coldplay. Mixing alternative rock aesthetics with a melodic pop sensibility, Silence Is Easy finds the band in pretty much the same place as before with slightly better songwriting, a more mature vocal performance by Walsh, and tastefully grandiose production. It's also clear from the cover art alone -- a pristinely epic photo of the band by water that veritably screams Heaven Up Here -- that Echo & the Bunnymen is, along with Spector, a main influence here. It makes sense: the Bunnymen's use of strings, horns, and chugging beats always seemed like a direct outgrowth of Spector's Brill Building "Wall of Sound" aesthetic. The bookend-like influence on Starsailor feels serendipitous. Even Walsh's delivery, which bordered on the relentlessly nasal on Love Is Here, here reveals the flush of Ian McCulloch's bluesy baritone. The 11 tracks here, including the two Spector-produced numbers, are heartfelt, melodic rockers with some string backgrounds that fit well into the overall aesthetic of cinematic pop romanticism. ~ Matt Collar

必殺のシングル“Good Souls”と大型新人待望論の後押しで全英1位となったデビュー・アルバム『Love Is Here』は、質の高い楽曲と演奏力に支えられていたとはいえ、無垢な感情が無自覚なままポップ・ミュージックとして結実してしまった奇跡の一枚であった。そして、2年ぶりに届けられた本作は、ほとばしるような表現はそのままに、感情の渦に耽溺することを拒む意志と、前作に通底していた悲壮感を除々に解放していくような、ある種のオープンさと大らかな強さに覆われている。今年の〈SUMMER SONIC〉で観せたラウドでダイナミックなロック・バンドとしての魅力はそうしたオープンさの現われだろうし、フィル・スペクターの起用は偶然の賜物ではなく、みずからの才能と感性をしっかりと把握したうえで、ポップ・ミュージック本来の大衆性と普遍性に意識的に挑んだ証であろう。結果、男の叙情大炸裂合唱アルバムとなった。
bounce (C)木村 優宏