rguably Black Uhuru's finest offering, RED was the band's sophomore effort on Island's Mango subsidiary, and crystallised their unique combination of contemporary sounds (including synthesizers and electronic drums), traditional roots reggae, and male/female trio vocals (with lead singer Michael Rose backed by Sandra "Puma" Jones, and Derrick "Duckie" Simpson). For a sound centred primarily on rhythm grooves, Black Uhuru's music is remarkably complex, and manages to sound both stripped down and fully fleshed out (there is a battery of interlocking instrumental parts at any given moment on the album).
RED is greatly shaped by producers/rhythm section Sly Dunbar and Robbie Shakespeare, though their production here is considerably cleaner and more streamlined than on RED's predecessor, SINSEMILLA. (Assistance from executive producer Chris Blackwell--the man largely responsible for the crossover success of Bob Marley's CATCH A FIRE--probably helped). Whether on the infectious bounce of "Sponji Reggae", or the trance-like "Sistren", RED is accessible but never poppy; it's serious and challenging, yet given to bright irresistible grooves. Black Uhuru contends for the post-Marley reggae crown, and this album is possibly the best example of what they do.|
Rovi
冒頭の"YOUTH OF EGLINGTON"を聴けば興奮する方も多いのではないだろうか。
似たような楽曲が多いが、Puma Jonesが効果的なChoを聴かせる楽曲が多々あり緊張を終盤まで維持させてくれる。
ROCKやPUNKリスナーにも支持されたのはシンプルながら完成度の高い楽曲と効果的なコーラスによるものも大きいだろうことが解る良盤。