In Hi-Fi

構成数 : 1枚
合計収録時間 : 01:04:12
Personnel includes: Sarah Vaughan (vocals); Hymie Schertzer (alto saxophone); Artie Drelinger, George Kelly, Budd Johnson (tenor saxophone); Stan Webb (baritone saxophone); Russ Bazer, Harold Feldman (saxophone); Billy Butterfield, Taft Jordan, Miles Davis, Jimmy Maxwell, J. Milazzo, Red Solomon (trumpet); Will Bradley, Bennie Green, Jack Sattersfield (trombone); Tony Scott (clarinet); Jimmy Jones (piano, guitar); Lou Stein (piano); Al Cailoa, Freddie Green, Mundell Lowe, Art Ryerson (guitar); Eddie Safranski, Billy Taylor, Jr., Frank Carroll (bass); Cozy Cole, J.C. Heard, Terry Snyder (drums). Reissue producer: Phil Schaap. Recorded between December 1949 and December 1952. Includes liner notes by Phil Schaap and Dick Katz. Digitally remastered by Matt Cavaluzzo and Debra Parkinson at Sony Music Studios, New York, New York. Personnel: Sarah Vaughan (vocals); Freddie Green, Art Ryerson, Al Caiola (guitar); Mundell Lowe (electric guitar); George Ockner, Julius Schachter, Adam Pratz, David Asch, Greene, A. Cores, Milton Lomask (violin); Richard Dickler, Sidney Brecher (viola); Tony Scott (clarinet); Jimmy Abato, Nuncio "Toots" Mondello, Harold Feldman (woodwinds, saxophone); Al Freistadt (woodwinds); Stanley Webb , Art Drelinger, George Kelly, Herman Schertzer, William Versaci, Bernard Kaufman (saxophone); Budd Johnson (tenor saxophone); Melvin "Red" Solomon, Miles Davis, Taft Jordan, Billy Butterfield, Jimmy Maxwell (trumpet); A. Godis, Jack Satterfield, Will Bradley, Bennie Green (trombone); Jimmy Jones , Lou Stein, Stan Freeman (piano); William Coles, J.C. Heard , Terry Snyder (drums). Audio Remasterer: Phil Schaap. Liner Note Authors: Dick Katz; Phil Schaap. Recording information: 12/21/1949-01/05/1953. Photographer: Michael Ochs. Unknown Contributor Roles: Peter Cincillo; J. Milozzo. Arrangers: Joe Lipman; Percy Faith. Even though Sarah Vaughan recorded for Columbia between 1949 and 1952, only two LPs were culled from the many tracks she produced during this period: the guitar-bass-vocal-only After Hours, and Sarah Vaughan in Hi-Fi, a more jazz-oriented collection featuring a young Miles Davis and tenor player Budd Johnson, among others. These are among Vaughan's finest recordings, and the stellar accompaniment is reminiscent of the Teddy Wilson's small groups backing Billie Holiday on her Columbia recordings of the '30s. Here the still youthful Vaughan applies her technical mastery to jazz classics like "East of the Sun," "Come Rain or Come Shine," and "The Nearness of You," complete with startlingly elastic phrasing and sheer loveliness of voice. ~ Rovi Staff
録音 : ステレオ (Studio)