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Gone to Earth [Remaster]

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フォーマット CDアルバム
発売日 2003年06月10日
国内/輸入 輸入
レーベルPolydor (Germany)
構成数 1
パッケージ仕様 -
規格品番 0653982
SKU 044006539829

構成数 : 1枚
合計収録時間 : 01:08:50
GONE TO EARTH is a 1977 album by the British prog-rock group Barclay James Harvest. German reissue feature five extra cuts. CD contains 5 bonus tracks. Barclay James Harvest had streamlined their sound considerably after leaving the Harvest label, culminating (so many felt) in the mellifluous music of Gone to Earth. Their pretensions to progressive rock all but abandoned, BJH here invites comparison to contemporaries like Supertramp, REO Speedwagon, and Fleetwood Mac (some of whom were similarly tagged with the prog rock label early on). Even at their most ornate, songwriters John Lees and Les Holroyd were simple balladeers at heart, and the decision to unclutter their arrangements allows the material's intrinsic beauty to shine through with clarity. For this reason, Gone to Earth is regarded by many as the band's best album, and judged on a song-by-song basis, it's hard to argue against it. Lees' "Hymn" and "Poor Man's Moody Blues" swell from simple beginnings to majestic heights, while Holroyd provides a cache of catchy rock songs, incorporating Beach Boys' harmonies on "Spirit of the Water" and "Taking Me Higher," soaring with the Eagles on "Friend of Mine," and even dabbling in reggae on the popular "Hard Hearted Woman." Again, the album's lone orchestral moment comes from Woolly Wolstenholme, the transcendent "Sea of Tranquility." (The keyboardist, whose once-omnipresent Mellotron now played a diminished role in the band's sound, left after the subsequent tour, releasing the first of several solo albums in 1980.) Although the songs are almost uniformly light on their feet, the lyrics reveal some heavy thoughts: Lees' "Lepers Song" laments "The end of the line's where I'm at/'Cos there's nothing left to be," and "Spirit of the Water" deals with killing seals for coats. Fortunately, it's not the uneasy alliance you might expect. Rarely has the band sounded so comfortable in the studio, and the result is as lovely a record as they've made. ~ Dave Connolly
エディション : Remaster
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Hymn

      アーティスト: Barclay James Harvest

    2. 2.
      Love Is Like a Violin

      アーティスト: Barclay James Harvest

    3. 3.
      Friend of Mine

      アーティスト: Barclay James Harvest

    4. 4.
      Poor Man's Moody Blues

      アーティスト: Barclay James Harvest

    5. 5.
      Hard Hearted Woman

      アーティスト: Barclay James Harvest

    6. 6.
      Sea of Tranquility

      アーティスト: Barclay James Harvest

    7. 7.
      Spirit on the Water

      アーティスト: Barclay James Harvest

    8. 8.
      Leper's Song

      アーティスト: Barclay James Harvest

    9. 9.
      Taking Me Higher

      アーティスト: Barclay James Harvest

    10. 10.
      Lied

      アーティスト: Barclay James Harvest

    11. 11.
      Our Kid's Kid

      アーティスト: Barclay James Harvest

    12. 12.
      Hymn

      アーティスト: Barclay James Harvest

    13. 13.
      Friend of Mine

      アーティスト: Barclay James Harvest

    14. 14.
      Medicine Man

      アーティスト: Barclay James Harvest

作品の情報

メイン
アーティスト: Barclay James Harvest

オリジナル発売日:1977年

商品の紹介

前作でのサウンドをさらに推し進め、美しい響きを持ったクオリティの高い楽曲を収めた中期の代表作。本国イギリスのみならず、ヨーロッパ各国でも話題をさらったアルバム。
タワーレコード(2009/04/08)

Barclay James Harvest had streamlined their sound considerably after leaving the Harvest label, culminating (so many felt) in the mellifluous music of Gone to Earth. Their pretensions to progressive rock all but abandoned, BJH here invites comparison to contemporaries like Supertramp, REO Speedwagon, and Fleetwood Mac (some of whom were similarly tagged with the prog rock label early on). Even at their most ornate, songwriters John Lees and Les Holroyd were simple balladeers at heart, and the decision to unclutter their arrangements allows the material's intrinsic beauty to shine through with clarity. For this reason, Gone to Earth is regarded by many as the band's best album, and judged on a song-by-song basis, it's hard to argue against it. Lees' "Hymn" and "Poor Man's Moody Blues" swell from simple beginnings to majestic heights, while Holroyd provides a cache of catchy rock songs, incorporating Beach Boys' harmonies on "Spirit of the Water" and "Taking Me Higher," soaring with the Eagles on "Friend of Mine," and even dabbling in reggae on the popular "Hard Hearted Woman." Again, the album's lone orchestral moment comes from Woolly Wolstenholme, the transcendent "Sea of Tranquility." (The keyboardist, whose once-omnipresent Mellotron now played a diminished role in the band's sound, left after the subsequent tour, releasing the first of several solo albums in 1980.) Although the songs are almost uniformly light on their feet, the lyrics reveal some heavy thoughts: Lees' "Lepers Song" laments "The end of the line's where I'm at/'Cos there's nothing left to be," and "Spirit of the Water" deals with killing seals for coats. Fortunately, it's not the uneasy alliance you might expect. Rarely has the band sounded so comfortable in the studio, and the result is as lovely a record as they've made. ~ Dave Connolly
Rovi

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