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【CD】

Voicenotes

Charlie Puth

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  • 通常価格(税込)
    ¥2,041
  • セール価格(税込)
    ¥1,796
    ¥245 (12 %) オフ
  • ポイント数
    16 ポイント →今なら166 ポイント!

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商品の情報

発売日

2018/05/11

フォーマット

CD

構成数

1

製造国

輸入 (ヨーロッパ盤)

レーベル

Atlantic

規格品番

7567866011

商品の紹介

  • 米ナンバー・ワン・シングル「シー・ユー・アゲイン」で一躍話題に! 新世代のインターナショナル・ポップ・スター、チャーリー・プースが、デビュー・アルバム『ナイン・トラック・マインド』に続く待望のセカンド・アルバム『ボイスノーツ(Voicenotes)』を全世界同時リリース!

    発売・販売元 提供資料 (2017/11/17)

  • Spin - "Puth is a canny songwriter....Across the album's 13 exceedingly catchy yet contradictory tracks, Puth laments his success and desirability while boasting about both." Rolling Stone - 3 stars out of 5 -- "[T]he album's homemade feel gives it intimacy and warmth. This proves effective for the Eighties and Nineties R&B influence that pervades each note." NME - 3 stars out of 5 -- "It's a showcase of Puth's songwriting skills which....[With] moments of pop brilliance."

    Rovi

  • Charlie Puth went from YouTube likes to RIAA certifications with such swiftness that he caught a serious case of stardom bends. He had most of the symptoms, including a hastened, compromised debut album, resultant awkward performances, and a bad reaction to the public eye. While Voicenotes can be loosely classified as a fame-response album -- a category distinguished by works that are woeful in character and quality -- it counteracts Puth's artistic frustrations and in every aspect surpasses Nine Track Mind. Rarely is it overblown and stagey, with Puth generally sounding more at ease, and absolutely invested in the songs. The negative impact celebrity has had on him is addressed directly only in the breezy opener "The Way I Am," where he concedes that he's "just tryin' to find a place to hide," and the twentysomething alludes to it in petulant form only in the closing ("I've been") "Through It All." The set's crux is a series of failed relationships that leap from one disparate experience to another. Puth admits to faults in a couple songs, pinning part of the blame on alcohol and youth, elsewhere feeling belittled by an older woman -- who underestimates his maturity and uses him -- only to immediately afterward bemoan a younger partner's attachment. Stylistically, much of the set is in a continuum of R&B-inspired pop that is earnest and groove-oriented in nature, rooted in early-'80s acts like Hall & Oates and exemplified decades later by Daft Punk's "Something About Us." "Slow It Down" goes as far as to sample the former and resembles a collaboration with the latter as much as the Weeknd's "I Feel It Coming." The best of the material shaped this way is "Done for Me," a sublime breakup prelude on which Puth duets with Kehlani, his most astute choice for collaborator. The second is "Attention," which appeared a year before Voicenotes was released, but is perfectly representative for its borderline bratty vocal and a sparkling production with a loping bassline that gives as much as the hooks. Success may have almost spoiled Puth, but it fueled his upward creative swing. ~ Andy Kellman|

    Rovi

作品の情報

メイン

収録内容

構成数 | 1枚

合計収録時間 | 00:44:26

Charlie Puth went from YouTube likes to RIAA certifications with such swiftness that he caught a serious case of stardom bends. He had most of the symptoms, including a hastened, compromised debut album, resultant awkward performances, and a bad reaction to the public eye. While Voicenotes can be loosely classified as a fame-response album -- a category distinguished by works that are woeful in character and quality -- it counteracts Puth's artistic frustrations and in every aspect surpasses Nine Track Mind. Rarely is it overblown and stagey, with Puth generally sounding more at ease, and absolutely invested in the songs. The negative impact celebrity has had on him is addressed directly only in the breezy opener "The Way I Am," where he concedes that he's "just tryin' to find a place to hide," and the twentysomething alludes to it in petulant form only in the closing ("I've been") "Through It All." The set's crux is a series of failed relationships that leap from one disparate experience to another. Puth admits to faults in a couple songs, pinning part of the blame on alcohol and youth, elsewhere feeling belittled by an older woman -- who underestimates his maturity and uses him -- only to immediately afterward bemoan a younger partner's attachment. Stylistically, much of the set is in a continuum of R&B-inspired pop that is earnest and groove-oriented in nature, rooted in early-'80s acts like Hall & Oates and exemplified decades later by Daft Punk's "Something About Us." "Slow It Down" goes as far as to sample the former and resembles a collaboration with the latter as much as the Weeknd's "I Feel It Coming." The best of the material shaped this way is "Done for Me," a sublime breakup prelude on which Puth duets with Kehlani, his most astute choice for collaborator. The second is "Attention," which appeared a year before Voicenotes was released, but is perfectly representative for its borderline bratty vocal and a sparkling production with a loping bassline that gives as much as the hooks. Success may have almost spoiled Puth, but it fueled his upward creative swing. ~ Andy Kellman

  1. 1. [CD]

    タイトル

    時間

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    クレジット

    1.

    The Way I Am

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    Charlie Puth

    2.

    Attention

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    3.

    LA Girls

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    4.

    How Long

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    5.

    Done For Me (feat. Kehlani)

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    6.

    Patient

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    7.

    If You Leave Me Now (feat. Boyz II Men)If You Leave Me Now (feat. Boyz II Men)

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    8.

    Boy

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    9.

    Slow It Down

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    10.

    Change (feat. James Taylor)

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    11.

    Somebody Told Me

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    12.

    Empty Cups

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    13.

    Through It All

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