Rock/Pop
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All We Know Of Heaven, All We Need Of Hell

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フォーマット CDアルバム
発売日 2017年08月25日
国内/輸入 輸入
レーベルBMG Rights Management
構成数 1
パッケージ仕様 -
規格品番 5053829614
SKU 4050538296143

構成数 : 1枚
合計収録時間 : 00:42:55
Personnel: Lyndsey Gunnulfsen (guitar, piano, organ, drums, percussion, programming); Alex Babinski (guitar); Mikaela Davis (harp); Blake Harnage (synthesizer, programming); Chris Kamrada (drums, percussion). Audio Mixers: Jeff Juliano ; Mark "Spike" Stent; Rich Costey. Recording information: Big Blue North, Utica, NY; Songbox Studios, Brooklyn, NY. Editor: Anthony Reeder. Three years after their breakthrough debut, alternative rock outfit PVRIS expanded their scope with the soaring All We Know of Heaven, All We Need of Hell. The Lowell, Massachusetts trio hinted at this direction on "You and I" and "Empty" from the 2016 deluxe reissue of White Noise, so the polished production and streamlined pop-sense should come as no surprise to fans. Much like predecessors Paramore, PVRIS have grown from hard-hitting, punk-influenced hardcore kids into melodic powerhouses. Frontwoman Lynn Gunn's vocals remain the clearest distinguishing factor for the group -- her fiery performance on "What's Wrong" is a standout -- while guitarist Alex Babinski and bassist Brian MacDonald inject each track with a propulsive urgency. That increased intensity propels highlights like "Heaven," "Half," and "Walk Alone," the latter of which is one of a handful of songs that deftly utilize a harp. The inclusion of that angelic instrument shines a light into the gloom and moody atmospherics, lending an ethereal Florence + the Machine vibe, as it did on the aforementioned White Noise bonus, "Empty." Aside from the hard-rocking "No Mercy" -- the closest PVRIS come to the alt-punk sound of White Noise -- All We Know distinguishes itself from the 2014 debut with restraint, touches of beauty, and contemporary pop production, like a combination of That's the Spirit-era Bring Me the Horizon colliding with synth pop group Chvrches. Fans of their debut may grumble about this new direction, but PVRIS execute so well that they shouldn't have a problem attracting new fans with their hybrid pop/alt-rock sound. On All We Know, PVRIS take a crucial step on the right course toward finding their own trademark sound. ~ Neil Z. Yeung

  1. 1.[CDアルバム]
    1. 1.
      Heaven
    2. 2.
      Half
    3. 3.
      Anyone Else
    4. 4.
      What's Wrong
    5. 5.
      Walk Alone
    6. 6.
      Same Soul
    7. 7.
      Winter
    8. 8.
      No Mercy
    9. 9.
      Separate
    10. 10.
      Nola 1

作品の情報

メイン
アーティスト： PVRIS

商品の紹介

天国を知り、地獄を欲す、その美しさに強さあり。エモクトロなクール・ビューティー、 Lynnがフロントを張る、3ピース・ロック・バンド、PVRIS(パリス)。2017年、大躍進が期待される若手バンドの先頭を突っ走る彼らが早くも新作アルバムを引っ提げ、シーンの最前線に帰ってきた!
発売・販売元 提供資料（2017/06/09）

Alternative Press - "Gunn and crew have the potential to be stars of their world, a band that truly, deeply connect with underdog identities. There's something healing about it." NME (Magazine) - 4 stars out of 5 -- "'Separate' is darker than anything they've done before, with singer Lyndsey Gunnulfsen slithering along it in all the right ways....By the time `No Mercy' arrives, there's no escaping how catchy this record is."
Rovi

Three years after their breakthrough debut, alternative rock outfit PVRIS expanded their scope with the soaring All We Know of Heaven, All We Need of Hell. The Lowell, Massachusetts trio hinted at this direction on "You and I" and "Empty" from the 2016 deluxe reissue of White Noise, so the polished production and streamlined pop-sense should come as no surprise to fans. Much like predecessors Paramore, PVRIS have grown from hard-hitting, punk-influenced hardcore kids into melodic powerhouses. Frontwoman Lynn Gunn's vocals remain the clearest distinguishing factor for the group -- her fiery performance on "What's Wrong" is a standout -- while guitarist Alex Babinski and bassist Brian MacDonald inject each track with a propulsive urgency. That increased intensity propels highlights like "Heaven," "Half," and "Walk Alone," the latter of which is one of a handful of songs that deftly utilize a harp. The inclusion of that angelic instrument shines a light into the gloom and moody atmospherics, lending an ethereal Florence + the Machine vibe, as it did on the aforementioned White Noise bonus, "Empty." Aside from the hard-rocking "No Mercy" -- the closest PVRIS come to the alt-punk sound of White Noise -- All We Know distinguishes itself from the 2014 debut with restraint, touches of beauty, and contemporary pop production, like a combination of That's the Spirit-era Bring Me the Horizon colliding with synth pop group Chvrches. Fans of their debut may grumble about this new direction, but PVRIS execute so well that they shouldn't have a problem attracting new fans with their hybrid pop/alt-rock sound. On All We Know, PVRIS take a crucial step on the right course toward finding their own trademark sound. ~ Neil Z. Yeung
Rovi

キッズの心と下半身を悩ませるライズ唯一の女性シンガー、リンゼイ・ガナルフセンを中心とした3人組の2作目。根っこにポスト・ハードコアの凶暴性を残しつつ、ますます大胆にダーク・エレクトロ方面へ寄せてきていて、ムーやエリファントら北欧ポップ勢とも共鳴するような雰囲気にクラクラ。ひとまず、ドラムンベースっぽいリズム・パターンがイカした"Half"を聴けば、この人たちのヤバさはすぐ伝わるでしょう。
bounce (C)山西絵美
タワーレコード（vol.406（2017年8月25日発行号）掲載）

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