Peter Gabriel/Us＜限定盤＞

Rock/Pop

LPレコード

Us＜限定盤＞

Peter Gabriel

★★★★★

0.0

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商品の情報

フォーマット	LPレコード
構成数	2
国内/輸入	輸入 (イギリス盤)
パッケージ仕様	-

発売日	2017年03月03日
規格品番	HSUJ19511
レーベル	Real World/Hostess
SKU	884108004555

作品の情報

メイン

アーティスト

：

Peter Gabriel

ゲスト

アーティスト

：

Brian Eno

、 Sinead O'Connor

その他

エンジニア

：

Richard Evans

、 Mark Howard

プロデューサー

：

Peter Gabriel

、 Daniel Lanois

オリジナル発売日

：

1992年

商品の紹介

ピーター・ガブリエルの5thアルバム『Us』が180g重量盤完全リマスター・アナログ盤として登場!
全英2位/全米2位を獲得した6thアルバム!(1992年作品)ブライアン・イーノ、シネイド・オコナー、ジョン・ポール・ジョーンズ等がゲスト参加!大ヒットシングル「この夢の果て(Digging In The Dirt)」、「エデンの情熱(Blood Of Eden)」、「Steam」他収録。

発売・販売元提供資料（2017/02/10）

Rolling Stone (5/13/99, p.58) - Included in Rolling Stone's "Essential Recordings of the 90's." Rolling Stone (10/1/92, p.63) - 3 Stars - Good - "..With its wave after wave of rhythmic innovation, US hints at catharsis...[It] can be heard as a combination of its immediate predecessors: The western firepower of SO meets the Eastern earthiness of PASSION.." Spin (10/92, p.111) - Highly Recommended - "..fresh, accessible...It's a testament to Gabriel's universal voice that most tracks on the album evoke both a private moment and a plea for world peace.." Entertainment Weekly (7/12/02, pp.84-5) - "...Nicely rounds out his catalog...revealing a surprisingly logical progression...Gabriel sharpens his writing and expands his sonic scope with every release..." Rating: B+ Q (1/93, p.71) - Included in Q's list of the 50 Best Albums Of 1992. Q (11/92, p.102) - 5 Stars - Indispensable - "..disregard all suggestions that this is an `adult' album, designed for sensitive, musicologically correct, vaguely troubled fortysomethings. US is, first and foremost, start to finish, a truly wonderful blast.." Musician (10/92, p.102) - "..[Gabriel] has never sounded better...filled with the longing of a middle-aged man who finds himself alone...songs with a cold wind blowing through them.." Jazziz (Dec.-Jan./92, p.94) - Picked by critic John Dilberto as one of the 10 best albums of 1992. Audio Magazine (12/92, p.148) - Sound: B - Performance: A- - "..possibly Gabriel's most personal album...reveals more details, sonically and emotionally, with each listening.." Mojo (Publisher) (6/02, p.126) - "...Sustained 3's level of inspiration and craftsmanship....Gabriel constantly demonstrated a wonderful ear for choosing, from his quincontinental mental archive, sound and rhythm that did the job, no artsy farting about..." New York Times (Publisher) (9/23/92, p.C14) - "..pure 90's material. Not only does it mix standard pop instrumentation with instruments and musicians from around the world, but it's wrenchingly confessional.." NME (Magazine) (10/24/92, p.36) - 5 - Fair - "..a vague affair...staggers under the weight of its own earnestness.."

Rovi

Six years after earning his first blockbuster, Peter Gabriel finally delivered Us, his sequel to So. Clearly, that great span of time indicates that Gabriel was obsessive in crafting the album, and Us bears the sound of endless hours in the studio. It's not just that the production is pristine, clean, and immaculate, it's that the music is, with only a handful of exceptions (namely, the "Sledgehammer" rewrite "Steam" and the fellatio ode "Kiss That Frog"), remarkably subtle and shaded. It's also not a coincidence that Us is, as Gabriel says in his liner notes, "about relationships," since the exquisitely textured music lets him expose his soul, albeit in a typically obtuse way. Since the music is so muted, it's no surprise that the album failed to capture a mass audience the way So did, but it's foolish to expect anyone but serious fans to unravel an album this deliberate. Gabriel is as adventurous as ever, yet he is relentlessly sober about his experiments, burying exotic sounds and percussion underneath crawling tempos measured atmospherics -- this is tastefully two-toned music, assembled by a consummate craftsman who became too immersed in detail to make anything but an insular, introspective work. Some gems are easier to unearth than others -- "Digging in the Dirt" has an insistent pulse, "Blood of Eden" and "Come Talk to Me" are quite beautiful, "Secret World" is quietly anthemic -- yet, given enough time, the record's understated approach and reflection becomes its most attractive element. But it takes a lot of spins and patience to get to that point, since this is an album he made for himself, and only those dedicated to the artist will have the patience to decode it. ~ Stephen Thomas Erlewine

Rovi

収録内容

構成数 | 2枚

合計収録時間 | 00:00:00

Personnel: Peter Gabriel (vocals, flute, harmonica, keyboards, bass, percussion, programming); Daniel Lanois (vocals, guitar, percussion); Ayub Ogada, Richard Maophall, Peter Hamill, Marilyn McFarlane, The Dimitri Pokrovsky Ensemble (vocals); David Rhodes, Leo Nocentelli, Bill Dillon, Gus Isidore (guitar); Richard Evans (mandolin); L. Shankar (violin); Caroline Lavelle (cello); Chris Ormston (bagpipes); Kudsi Erguner (ney flute); Tim Green (tenor saxophone); Reggie Houston (baritone saxophone); Renard Poche (trombone); John Paul Jones (keyboards, bass, surdu); Richard Blair (keyboards, programming); Malcolm Burn (synthesizer); Tony Levin (bass); Manu Katche, Assane Thiam, Babacar Faye, The Babacar Faye Drummers, Daryl Johnson (drums); Hossam Ramzy, Levon Minassian, Manny Elias (percussion); David Bottrill, William Orbit (programming); Doubou N'Diaye Rose (drum loop); The Adzido Drummers (percussion loop). Recorded at Real World Studios, England, Kingway Studios, New Orleans, Louisiana & Studio 2000, Dakar, Senegal. All tracks have been digitally remastered. "Steam" was nominated for a 1994 Grammy Award as "Best Rock Vocal Performance, Solo." "Steam" won the 1994 Grammy Award for "Music Video, Short Form." After the worldwide success of 1986's SO, Peter Gabriel produced collections of movie soundtrack music, busied himself with the Amnesty International tour and started his own label. Released in 1992, US was long-awaited to say the least. It was not the commercial smash that SO was; instead it was Gabriel's most personal and introspective work. In the years after SO, Gabriel's marriage broke up and he went into analysis, which he addresses on "Digging in the Dirt." In the past, Gabriel wrote songs in the guise of various characters and invoked epic themes, but here even with exotic rhythms and eclectic influences, Gabriel was grounded in the real world. While lyrically and thematically distinct from SO, parts of US recall its predecessor. "Steam" is strongly reminiscent of "Sledgehammer," while "Love to Be Loved" has a hypnotic pulse reminiscent of SO's seductive beds of rhythm. "Kiss That Frog," with its hip-wiggling beat, is the record's lightest moment. Elsewhere, Gabriel combines gorgeous melodies, poignant vocals and the lush, atmospheric production of Daniel Lanois, especially on the soaring "Come Talk to Me" (sung with Sinead O'Connor), "Blood of Eden" and "Secret World."

エディション | Remaster

1.

[LPレコード]

DISC 1:
- 1.
  
  Come Talk to Me
- 2.
  
  Love to Be Loved
- 3.
  
  Blood of Eden
- 4.
  
  Steam

2.

[LPレコード]

DISC 2:
- 1.
  
  Only Us
- 2.
  
  Wahing of the Water
- 3.
  
  Digging in the Dirt
- 4.
  
  Fourteen Black Paintings
- 5.
  
  Kiss That Frog
- 6.
  
  Secret World