Melody Maker - Ranked #27 in Melody Maker's list of the top 30 albums of 1991 - "The sound of the 70s hacked up and reassembled in the 90s." Spin - Highly Recommended - "..many credit the band with what has become known as the Seattle sound...[Soundgarden] stomps all over these tunes..." Kerrang - "With a more metal approach than many of their peers, it's a complex, dark piece of work..."

Rovi

Soundgarden couldn't have picked a better time to issue its best album, Badmotorfinger, in the fall of 1991. The Seattle explosion (which also included Nirvana, Pearl Jam, and Alice in Chains) was just about to take off, and along with such other classic albums as Nevermind, Ten, and Facelift, Badmotorfinger benefited greatly from all of the newfound media attention and critical praise. New bassist Ben Shepherd fit in perfectly with the band, evidenced by this incredibly consistent album. Although Soundgarden's breakthrough hit, "Outshined," remains their best-known track, the whole album is a must-hear from beginning to end. While Badmotorfinger is certainly best experienced by listening all the way through it, single standouts include the barnstorming album-opener "Rusty Cage," the all-out assault "Jesus Christ Pose," the crawling "Slaves & Bulldozers," and the tranquil "Mind Riot." Add to it the back-to-back epics "Searching with My Good Eye Closed" and "Room a Thousand Years Wide," plus the short punk blasts "Face Pollution" and "Drawing Flies," and you have one of the greatest rock albums to ever come out of the Emerald City.|

Rovi

Bidding for a popular breakthrough with their second major-label album, Soundgarden suddenly developed a sense of craft, with the result that Badmotorfinger became far and away their most fully realized album to that point. Pretty much everything about Badmotorfinger is a step up from its predecessors -- the production is sharper and the music more ambitious, while the songwriting takes a quantum leap in focus and consistency. In so doing, the band abolishes the murky meandering that had often plagued them in the past, turning in a lean, muscular set that signaled their arrival in rock's big leagues. Conventional wisdom has it that despite platinum sales, Badmotorfinger got lost amid the blockbuster success of Nevermind and Ten (all were released around the same time). But the fact is that, though they're all great records, Badmotorfinger is much less accessible by comparison. Not that it isn't melodic, but it also sounds twisted and gnarled, full of dissonant riffing, impossible time signatures, howling textural solos, and weird, droning tonalities. It's surprisingly cerebral and arty music for a band courting mainstream metal audiences, but it attacks with scientific precision. Part of that is due to the presence of new bassist Ben Shepherd, who gives the band its thickest rhythmic foundation yet -- and, moreover, immediately shoulders the departed Hiro Yamamoto's share of songwriting duties. But it's apparent that the whole band has greatly expanded the scope of its ambitions. And Badmotorfinger fulfills them, pulling all the different threads of the band's sound together into a mature, confident, well-written record. This is heavy, challenging hard rock full of intellectual sensibility and complex band interplay. And with their next album, Soundgarden would learn how to make it fully accessible to mainstream audiences as well. ~ Steve Huey

Rovi